Ginette portrays an idyllic beauty that is almost poetic; her paintings are filled with beautiful women, under a joyful freshness where everything is perfect, resplendent and naturally healthy. They make us feel a sense of harmony and peacefulness and awaken our pleasure that is produced when we are contemplating beautiful things.

Ginette’s artistic creation mirrors a romantic vision, in which the subject is conveyed by its passions and personality traits; there’s something special about her models, something that comes from the inside and that cannot be seen on the canvas’ surface, it’s implied and only intuition is able to reveal it. Something that happens to be implicit in the stare itself; the same stare that moves to a point somewhere in the infinite and, just like that, can also end up being confined within us or even through us. A distant stare in a persistent thought, under a vague detachment, that is also unique and captivating. With a distinct stance and a magnetic gaze, they look at us persistently, as if they were interested in what they’re seeing. If the beauty of her women captivates our attention, their personality completely conquers us. 

Ginette has an elegant way to approach anatomy and perfectly reveal the sensual ways of the female body. There’s a special concern with formal features, something that is evident in the simplicity, symmetry and proportion, which produce enhanced specimens. It’s particularly obvious how much time and dedication was committed to their faces, to the development of every feature, a concern that has an accurate stroke and an adequate texture. The light, properly studied and placed, progressively shapes the face through the shadows. The hair and the ornaments are like icing on the cake, which contributes to emphasise the desire and enhance their weightlessness.

By Pedro Boaventura • Excerpt from Masters of Painting - Volume 1


 
Ginette Beaulieu was born in Amqui, Quebec in 1954 and has been a professor of painting since1979.

She is selftaught and has always been passionate for drawing. She has shown an interest in the old techniques of the Renaissance Masters and uses various mediums but she prefers to use charcoals and oils. She studies the old techniques and integrates in its art the use of the natural pigments and the oils elutriated while undertaking a search deepened on the technique of the funds.

Since 1981, her artworks has been exhibited in France, particularly during the show in the "Carrousel du Louvre" in Paris, and in many more galleries and museums in Quebec.










 
Ginette Beaulieu is a professor of painting since 1979. She has shown an interest in various mediums but she prefers to use charcoals and oils.

She studies the old techniques and integrates in its art the use of the natural pigments and the oils elutriated while undertaking a search deepened on the technique of the funds.

Since 1981, she takes part in different exposures, as much collective than solo. The public can admire its works in several galleries, from Quebec, Montreal throughout Bay Saint-Paul.



Per più informazioni leggi qui: http://www.tuttartpitturasculturapoesiamusica.com/2011/10/ginette-beaulieu-1954-canada.html

© Tutt'Art@ | Pittura * Scultura * Poesia * Musica |
Solo Exhibitions:

• 2011 Webster gallery, Calgary, Canada

• 1994 Quatre-Saisons Art Gallery, Quebec

• 1992 Bernard Desroches Art Gallery, Montreal

• 1986 Ministère du Revenu, Quebec



Group Exhibitions:

• 2013 Carnaval de Québec, symposium

• 2010 Canne, France and Bruxelle, Belgique

• 2009 Perpignan, Béziers and St-Tropez, France

• 2008 Espace St_Bernardin, Cannes, France

• 2008 St-Tropez, France

• 2007 Carrousel du Louvre, Paris

• 2007 Quebec City Carnival Symposium

• 2006 Carrousel du Louvre, Paris

• 2006 Quebec City Carnival Symposium

• 2005 Mauricie Symposium, Shawinigan

• 2004 Mauricie Symposium, Shawinigan

• 2002 Manoir Richelieu Symposium, Pointe-au-Pi

• 2001 Manoir Richelieu Symposium, Pointe-au-Pic

• 1999 Quebec City Carnival Symposium

• 1996 Baie-Comeau Symposium

• 1996 Mauricie Symposium, Shawinigan

• 1995 Mauricie Symposium, Shawinigan

• 1995 Quebec City Carnival Symposium

• 1995 Fine Arts Museum Gallery, Montreal

• 1994 Quebec City Carnival Symposium

• 1994 Fine Arts Museum Gallery, Montreal

• 1993 Bernard Desroches Art Gallery, Montreal

• 1981 Place Québec
• 2013 People's choice Award, symposium du Carnaval de Québec

• 2008 Associated member of Société nationale des Beaux-Arts de Paris

• 2007 Honor Mention, Academie Mazarine, France

• 2007 People's choice Award, Quebec City Carnival

• 2006 People's choice Award, Quebec City Carnival

• 2004 People's choice Award, Mauricie Symposium

• 2001 Honor Mention, Agathe of distinction, Artqui media, Amqui

• 2000 President of honor, Château-Richer

• 1999 President of honor, Baie-Comeau Symposium

• 1998 People's choice Award, Mauricie Symposium

• 1997 People's choice Award, Mauricie Symposium

• 1997 President of honor, Mauricie Symposium

• 1995 People's choice Award, Mauricie Symposium

• 1995 Quebec City Carnival's poster was made out from one of her paintings
Media Cover:

• 2009 Newspaper Le soleil, avril

• 2009 Radio Galilée, one hour report, curriculum vitae program

• 2007 Newspaper Media-Matin, December, Quebec

• 2007 Newspaper l'Autre-Voix, November, Charlevoix

• 2006 SunSite Art et Culture, November, France

• 2006 Journal de Québec, December

• 2001 Radio-Canada, November

• 2001 Newspaper Le Soleil, November, Quebec

• 1995 Magazin'Art, September

• 1995 Télévision Quatre-Saisons, February

• 1994 Télé-Métropole, TVA Network, February

• 1994 Newspaper Le Soleil, April, Quebec

• 1988 Revue Summum



Illustrations:

• 2005-1996 Scholastic

• 1998 Arion and other outsider publishing houses

• 1997 VLB (Victor-Levy Beaulieu)

• 1995 Pierre Tisseyre
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